Thursday, November 30, 2023

The Walk Home, Late at Night

                                                                                                              By John Grey


You lived in the abandoned tenement,

behind the store window,

in the dumpster behind the bar.

 

Walking the city late at night,

I could never part ways with you.

 

Not when you were underfoot with the weeds,

or gleaming from the empty lot

like glass shards in the moonlight.

 

That was your face above the neck

of the woman wanting to be paid

for the use of her body,

and behind the wheel of the car

with the tinted windows.

that drove slowly by.

 

My shoes clip-clopped as I took

that short cut through the square

but the echo was all yours.

 

I was vulnerable, ready to be taken.

On the church steps, down the alley,

you could have had me anywhere.

 

For that was you on the rooftop,

and with the rats that scurried across the floor

of the shuttered vegetable market.

 

All you needed was your knife, my chest,

and the plunge of the blade

would have been quick and merciful.

 

But you didn’t strike.

Maybe you figured, the fear, the tension,

would be so much greater the next time.

 

For the next time is your most insidious weapon.

It continues to be my weakness.


About the Author:

John Grey is an Australian poet, US resident, recently published in New World Writing, California Quarterly and Lost Pilots. Latest books, “Between Two Fires”, “Covert” and “Memory Outside the Head” are available through Amazon. Work upcoming in the Seventh Quarry, La Presa and Doubly Mad.

There Will Be Always a You


 

There will be always a ‘you’;

There will be always an ‘I’.

You will show

The poetic dictions and definitions,

I will go on with Wordsworth and beyond:

With the spontaneous overflow

Of powerful feelings

But not limiting the emotions

Recollected in tranquility

Like in the wilderness,

The land of the solitary reapers;

Rather in the chaotic coffee shops

Or in a station of metro.

 

You will be giving us meters,

Iambic pentameters,

I will be going straight and simple

With unrhymed verses and beyond.

 

You will be looking for well-set

Similes and metaphors,

I will mirror my heart the way I feel:

Like April

Is the cruelest month breeding lilacs.

You will be giving us rules

And I will always be the rebellious one.

 

© Atique R.


A Green and Pleasant Land


                                                                                                     By Sarah Das Gupta


The chalk downland which stretches from Farnham in the north to the cliffs of Dover in the south was where I played, went to school, rode along its bridle paths, harvested its fields and foraged in its woods. It is an area of natural beauty with a great variety of wild life both animals and plants. An ancient landscape, it has inspired famous writers, artists, musicians and also national leaders.


Once again, the time had come around for haymaking. The grass in the one-hundred-acre field was well over knee height. The scent of poppies, cornflowers, vetch and trefoil blended with the meadow grasses. Butterflies drifted in the June sunlight and bees foraged among the flowers. This was an important time of the year in my childhood. The thirty horses we kept depended in the winter on the hay we cut in early summer. If our crop was poor, it would be costly buying supplies from other farms.


That summer, it looked as if the weather was settled and we could expect a good haul. The hayfield itself was one of the few surviving unploughed pastures in our part of the North Downs. Walking over the field, was like walking on the most luxurious Persian carpet.  You could feel history beneath your feet, the hundreds of years of undug turf and the rainbow display of wild flowers. The first stage was to cut the long grass. In a sense there was a certain sadness, watching my father driving the old Fordson tractor pulling the mower in his wake. Swathe after swathe of grass with all the jewel-like flowers, fell to the executioner’s blades. The sweet smell of the drying hay was some compensation for the sense of loss which midsummer inevitably brings. Half the year passed, the days imperceptibly shortening.


The final phase of haymaking was very much a community effort. Our family was joined by various people we only saw at haymaking time. As the local school master and referee of the village football team, my father was a well- known figure. His many ‘acquaintances’ would appear on the hayfield, helping to load the trailer when the hay had been baled or later when we were building the hay ricks.


One of the best ways of seeing the landscape is from the back of a horse. This is particularly true of the downlands of Southern England. Some of the most memorable sites are only accessible through networks of ancient footpaths and bridle ways. In summer the woods are a forest of different greens, from the emerald of the beeches to the dark, sombre green of the pines. The splendid colours of the cock pheasant contrast with the slightly sinister black of the rooks and crows. The steep sides of the downs are grazed by sheep. I remember a conversation with an old shepherd on the top of a high ridge who told me that they had tried to plough the land in the War when food supplies were under pressure. A farm worker had been killed when the tractor he was driving, overturned and rolled down the steep slope. ‘Yes, this has been sheep country for hundreds of years,’ was his parting remark.


As summer gives way to autumn, in the early morning there is a mist over the heath and as locals say, ‘the first nip in the air.’ The fields are being harrowed to pull out the dead grass and leaves. Out riding, you get a sense of the shape and sculptured nature of the downs. The lines left by the harrow, are like green contour lines, a living map of the landscape. This is also a heavily wooded area, seen at its most colourful in autumn. Riding through the autumn woods, surpasses any painted landscape. The trees are on fire, flaming red, orange and every shade of yellow. Rich, chocolate-brown conkers litter the bridle paths, blackberries shine darkly in the cold sunlight. At the medieval church of St Leonard’s, a magnificent avenue of mature beeches, like burning torches, leads to the main door.


As November begins, Guy Fawkes night approaches. The fifth of November marks the anniversary of the Gun Powder Plot when Guy Fawkes and his fellow conspirators were accused of plotting to blow up King James and Parliament. The history of this episode has been revised and re-interpreted but the tradition remains. Long before the Fifth, bonfires appear in fields and commons; piles of brushwood and rubbish are collected. Children make a straw-filled effigy of Guy Fawkes, to be burned on the top of the fire. This is an excuse for firework displays, barbecues, hotdogs and a community celebration, before winter sets in.


Winter brings its own beauty and changes to the landscape of the downs. On frosty mornings the field hedgerows glint as the winter sun catches the spider webs, fine as gossamer, touched with dew. The frost is stretched, a white carpet, over fields and hills. Looking from the top of the downs, it creates a patchwork, ranging from the whiteness on the high ridges to the sparkling green of the sheltered valleys. The landscape is at its most spectacular after heavy snow. One of the best views is along the Pilgrim’s Way, an ancient path which leads across a ridge of the downs towards Canterbury. Riding there after heavy snow, I would think of Chaucer’s pilgrims on their way to visit the shrine of Thomas Becket, the murdered eleventh century Archbishop of Canterbury. I would imagine the red stockings of Chaucer’s Wife of Bath, the greasy hair of the Pardoner with his phoney ‘holy’ relics and the Miller’s bawdy tale! My pony stumbling through the snow drifts, I would look out across the valley to the scarp slope. The landscape has hardly changed through the centuries, apart from the main railway into London and a golf course in the valley. Snow is a good leveler. My view from my dappled grey pony would have looked much the same as that of those travelers nine centuries ago.


The villages and market towns of the North Downs have played their part in history and legend. In the Kent town of Westerham, General Wolfe’s home at Quebec House looks much as it would have done when its owner died in 1759 at the battle of the Plains of Abraham, an important moment in Canadian history. Half a mile away, Pitt’s Cottage, has been restored, the country retreat of Pitt, the younger, the youngest ever British Prime Minister at the age of twenty-four who has the dubious distinction of being the first to introduce income tax. This small Kent market town is also close to Chartwell, the home of Winston Churchill. There must be something in the North Downs air!


Church graveyards reveal much of the history of the surrounding area, as well as providing a gothic atmosphere. The thirteenth century church of St Leonard’s at Chelsham, is a case in point. Standing on high ground, overlooking farmland, paths and lanes all lead to the church. Up until the late 1940’S, most local farms employed farm workers and their families. In the cemetery is the grand tomb of Sir Thomas Kelly, a local boy from a poor family who made a fortune in the City of London, even rising to the position of Lord Mayor. He did not forget his origins. On his death he left money to provide bread to the poor of the parish. He must have left a generous bequest as on the first Sunday in July, Kelly’s bread is still distributed. The congregation even have a choice of white or brown. I last visited the churchyard two years ago, late in the evening. The sun setting behind the church was blood red and the air strangely still. I felt it was more likely I would see Kelly’s ghost than his bread!


The landscape here has also inspired many writers. Jane Austen visited the village of Great Bookham where her godfather, Samuel Cooke was the local vicar. Perhaps it was then that she climbed Box Hill, one of the highest points on the downs. This is the setting of that disastrous picnic in ‘Emma’, surely one of the greatest of comic novels. There must be something in the local water conducive to literary inspiration. Arthur Conan Doyle created Sherlock Holmes while living at Hindhead and EM Forster, James Barrie and Huxley also lived at different times in the Surrey Hills.


All the seasons have their own particular beauty in this landscape but over the centuries, men have longed most for the rebirth in Spring after the long, dark winter days. Hedges are flecked with green, grass begins to grow, in the woods, seas of bluebells create waves of blooms every time the wind blows. On the slopes of the hills, the lambs gambol and the ewes graze on the new shoots of grass. The horses have done well through the winter on the store of midsummer’s hay. On the farms, men are oiling the mowers. From the Tabard Inn in Southwark, the ghosts of Chaucer’s pilgrims are already setting off.


About the Author:

Sarah Das Gupta is an English Teacher from Cambridge, UK who has lived and taught in India, Tanzania and UK. Her work has been published in US, UK, Canada, Australia, India, Germany, Romania, Croatia, among other countries.

Motif Romanesque


 

                                                                                         By Ben Nardolilli 


It is important to let the girl pick the flowers,

after all, she is by herself, who would be tempted to follow her

as an example and seize all the petals and leaves

for a little bit of color temporarily soaking in a bedroom vase.

 

It is important to let the girl pick the flowers, 

there is no wilderness here to ruin, if nature was actually working,

the trees would be everywhere and this sunlit glen

filled with flowers would be foreclosed and abolished by the shade.

 

It is important to let the girl pick the flowers,

without her hands, these fields would start to fade together, 

the champagne bulbs dissolve into a foggy mass, 

but picking brings out a distinction for the flowers as living or dead.

 

It is important to let the girl pick her flowers, 

after all she is by herself, except for me, and my hands are busy

writing poetry, not harvesting the things spouting

and blooming without my prompting over the face of the earth.


About the Author:

Ben Nardolilli is a theoretical MFA candidate at Long Island University. His work has appeared in Perigee Magazine, Door Is a Jar, The Delmarva Review, Red Fez, The Oklahoma Review, Quail Bell Magazine, and Slab. Follow his publishing journey at mirrorsponge.blogspot.com.


Longing


 

                                                                                         By John RC Potter


Longing...

               With longing...

                                      I’m longing...

Sad...

        With sadness...

                               I’m sad...

 

But I know something:

God gives snow according to the mountain!

I only love you,

Without you, just lonely.

But who knows about this situation?

 

Cold water flows from the mountains,

Gives life from the sun,

Flowers grow from the soil;

Nevertheless...

Everyone comes to the ground at last.

 

Birth. Life. Death.

It passes like a minute.

Love. Passion. Loyalty.

We say “In the Name of God” together.

 

But at night I’m alone,

I hold my pillow very close.

In the morning I look at an empty place;

But you are always in my soul.

 

I’m sad...With sadness...Sad...

 

Longing...

               I feel longing...

                                      I miss you...

                                                         My longing...

 

 

About the Author:

John RC Potter is an international educator from Canada, living in Istanbul.  He has experienced a revolution (Indonesia), air strikes (Israel), earthquakes (Turkey), boredom (UAE), and blinding snow blizzards (Canada), the last being the subject of his story, “Snowbound in the House of God” (Memoirist, May 2023). His poems, stories, essays, and reviews have been published in a range of magazines and journals, most recently in Blank Spaces, (“In Search of Alice Munro”, June 2023), Literary Yard (“She Got What She Deserved”, June 2023), Freedom Fiction (“The Mystery of the Dead-as-a-Doornail Author”, July 2023), and The Serulian (“The Memory Box”, September 2023). The author has over a dozen upcoming publications in the coming months, including an essay in The Montreal Review. His story, “Ruth’s World” (Fiction on the Web, March 2023) has recently been nominated for the prestigious Pushcart Prize.

Keatsian Mimicry: Fine Fall Feast


 

                                                                                              By Gerard Sarnat 


 "Season of mists and mellow fruitfulness..."

                      -- John Keats, To Autumn

 

If nice to elope during frigid winter

then spring is the time cantaloupe peaks

plus, summer for sumptuous watermelon.

 

Autumn’s when you and I get best honeydew

that results in oversized, slightly overripe fruits

which ooze sweet juice – unless like me, eagerness

 

overcomes prudence to wait just another hour or two…

so as even though well-seasoned, we cut into our not quite yet

ready for primetime’s unseasonably cheap, lovely, mellowest most verdant meat.

 

 About the Author:

Gerard Sarnat has won prizes and is a multiple Pushcart/Best of Net Award nominee. Including four collections of poems Gerry's works have been widely published by Brooklyn Review, Tokyo Poetry Journal, Gargoyle, Buddhist Review, New York Times; Oberlin, Northwestern, Yale, Pomona, Harvard, Stanford, Dartmouth, Penn, Columbia, Johns Hopkins, NYU, Brown North Dakota, McMaster, Maine, British Columbia/ Toronto/ Chicago and Virginia university presses. He’s a Harvard College/Medical School-trained physician, Stanford professor, and healthcare CEO. More details can be found here.

Tuesday, October 31, 2023

You Will Never Know (A Lyric)

 



I can’t write no more lyrics

I can’t play with no more beats

Nor can I hold back the howling shrieks

Heart’s gonna take on no more tricks

My words are turning sighs of dew

Without you… without you…

 

Now…

The Sun is sinking in the ocean bleu

I’m falling apart in such a lovely view

My words are turning sighs of dew

Without you… without you…

 

But you will never know

How painful is this

To miss you in such a color bliss;

You will never know

My memory lane:

It's you, just you and nothing else.

 

And you will never know

How heavy it feels

The burden of my untold words

You will never know

My freezing soul

With the wailing of my inner bards.

 

Now…

The Sun is sinking in the ocean bleu

I’m falling apart in such a lovely view

My words are turning sighs of dew

Without you… without you…

 

But you will never know

How I keep searching

The monsoon rain.

You will never know

How hard it is to hide 

My flowing pain.

 

And you will never know

The thousand dreams

I kept weaving

In all my prays… In all my hymns;

You will never know

The thousand lies,

I’m telling my heart

To wake up again in the summer beams…

 

Now…

The Sun is sinking in the ocean bleu

I’m falling apart in such a lovely view

My words are turning sighs of dew

Without you… without you…

 

In all those lost and loving days

I felt you, just you around me.

You had always been

The soothing beauty,

What my aching heart

Would ever want to see…

 

But, you left me by an ocean

My heart could never foresee

My soul got tied to a bleeding thorn

And I can’t just set it free…


Though you left me for a reason unknown

I never stopped loving you…

Though my life got trapped in a winter rain

I just can’t stop loving you…

 

But, the Sun is sinking in the ocean bleu

I’m falling apart in such a lovely view

My words are turning sighs of dew

Without you… without you…


© Atique R.


The Rhyme Trilogy

  1. My Little River, Rhyme   -Have I ever told you about a river? -Which river? - The river flowing in a magical symphony, down t...